Student Works / Master
SoundS Master Exhibition 21
public exhibition
16–18 July 2021
Photos © Kathrin Scheidt
16 — 18 July 2021
Opening : 15 July | 4 — 6 PM
Exhibition : 16–17 July | 10 AM — 6 PM
18 July | 10 AM — 3 PM
Collegium Hungaricum Berlin
Dorotheenstraße 12
10117 Berlin
Special exhibitions :
14 July | 6:30 PM | Shervin Saremi | Monom | Funkhaus Berlin, Nalepastraße 18, 12459 Berlin
16 July | 8 PM | Enrika Myskovskaja | Panke Gallery | Hof V, Gerichtstraße 23, 13347 Berlin
The second class of the Sound Studies and Sonic Arts Masters program publicly exhibited their master’s theses on 15–18 July 2021 at the Collegium Hungaricum Berlin.
Clara Badulescu
Zero Point
Audio-visual screening with multi channel sound installation
Creation as Self exploration. Short film and multichannel audio installation. Collaboration between Clara Badulescu & Alexia Rubod
Photo © Kathrin Scheidt
Photo © Kathrin Scheidt
Jonathan Bruns
Translation Project Documentation
Installation
The translation project is an experimental composition with a focus on creation through interpretation. A pre-existing piece is re-interpreted into something new using a method of translation.
The project functions as a meeting point for music and photography. A piece of music serves as a starting point to a journey of translation between art forms. The performer(s) are led through a process of translating the music to photography, and then back to music, resulting in the creation of photography and music along the way.
It is impossible to translate a complex matter from one language to another without changing its nature. This composition attempts to translate a piece of art from one artform to another, which is not possible without changing it significantly.
At the heart of the process of translation is interpretation. An individual is confronted with a subject matter, interprets the matter, and then reproduces their interpretation in a different domain. The use of the term “translation” thereby highlights the subjective nature, and therefore significantly emancipated role of the performer/translator as well as the mulit-faceted nature of music and art.
Anders Ehlin
Fidelity || Freedom
Installation
In Fidelity || Freedom Ehlin combines his ongoing research on (mis-)communication and resonance, both in its physical and sociological sense. The title is a direct reference to the two highly debated cornerstones in translation theory, describing on the one hand the wish for translation to be as transparent and unnoticeable as possible, on the other for a translated piece to be acknowledged as a proper derivate and work in its own right, rather utilising reference points specific to itself and its cultural and societal heritage. Fidelity II Freedom consists of a kinetic metal plate fed with a manipulated electro-acoustic feedback, whose fundamental frequency changes in accordance to the plate’s bending shape. The plate responds to hand written input using Ehlin’s great grandfather’s short hand system Ehlin’s Internationella Stenografi, one of the early fully functional multilingual short hand systems, relying on spelling rather than phonemes. Feeding the plate with the signs of a deceased writing system Ehlin not only aims to explore the notion of a translational in-between, but also traces back his intimate history within a framework of communication and multimodality.
Photo © Kathrin Scheidt
Photo © Kathrin Scheidt
Eunice Fong
these buds are made for walkin’
Listening station
An audio guide that accompanies a walk in the city. For non-in-ear earbuds and a smartphone.
Taiga Trigo
Temenos Quest — evidence of what happened
Installation — Last few hours of each day
Documentation, in both hands-on and audiovisual format, of the Temenos Quest ; a sound Quest Game for children and adults that took place on the 27th of June in Treptowerpark. The project explored the concept of play and its relation to listening and the experiential education format of the quest game.
Photo © Kathrin Scheidt
Photo © Kathrin Scheidt
Enrika Myskovskaja
Apt.#47
Performance
16 July 2021 | 8 pm
Panke Gallery
Hof V
Gerichtstraße 23
13347 Berlin
An introduction into auditory everyday’s casualty and particularity in personal domestic space. The package contains : individual dweller, homelike space, diy listening apparatuses and looper.
Francisco Petrucci
•\‘.
Installation
•\‘. is an intuitive enhancement of a non-place area of the Collegium Hungaricum, using voice, sound, image, and site specific elements.
Photo © Kathrin Scheidt
Shervin Saremi
Šur
Performance
14.07.2021 | 6:30pm
Monom
Funkhaus Berlin
Nalepastraße 18
12459 Berlin
An algorithmic composition with models based on various chaotic-attractors (dynamical systems whose disordered and cluttering nature are guided by patterns and deterministic laws ) for producing automated sonic and spatial events.
Photo © Kathrin Scheidt
Francis Sosta
Ein prä-apokalyptischer Spaziergang
Mixmedia Performative-Installation
Ein präapokalyptischer Spaziergang is an invitation to turn our attention and listen to the moments before an apocalypse, to the instants just before the end of time. How long is the moment before the final crash ? Will the end of time come unnoticed ? What if we’re already walking along that ending ? Ein präapokalyptischer Spaziergang is a mixed media performative-installation that uses sonic storytelling as a way to both reflect and escape the eschatologism of the end of the world. By bringing the focus back to the present moment as a special ‘space for possibilities’ where we are practicing, instead of resisting the end of time. The work addresses sonic strategies of survival and resilience in a world of rapid social change and crisis. Ein präapokalyptischer Spaziergang is a sonic environment where a spatial exploration and temporal detour are invited by sonic navigation. The work, by acknowledging the interconnectedness of the socio, political, economical, and health crisis we’re living in, also wants to reflect on the role of crisis to challenge the status quo of our global society, informing new methodologies and technologies of repair, whilst generating new sonic kinships. The installation presents works by Francis Sosta, as well as works realized in collaborations with invited artists.
On Saturday, 17 July 2021 from 4–6pm, Francis Sosta invited artists and performers to join the space in an ‘experimental durational performance’. The audience is invited to enter, stay and leave the room freely.
Photo © Kathrin Scheidt
Design © Kathrin Scheidt
Design © Kathrin Scheidt
Photo © Kathrin Scheidt
Master Defense
30–31 August 2021 | online and live
Monday, 30 August 2021
14:00 pm Sebastian de la Luz Mendoza (Supervisors : Sabine Sanio | Jacob Erikson online)
15:15 pm Hugo Esquinca (Supervisors : Sabine Sanio | Jan Thoben)
16:30 pm Federica Sosta (Supervisors : Sabine Sanio | Shanti Suki Osman)
18:00 pm Shervin Saremi (Supervisors : Volker Straebel online | Thomas Koch online)
Tuesday, 31 August 2021
11:00 am Fausto Luis Perez-Mujica (Supervisors : Hans Peter Kuhn | Julia Schröder)
12:15 pm Clara Badulescu (Supervisors : Hans Peter Kuhn | Martyna Poznanska)
13:30 pm Enrika Myskovskaja (Supervisors : Hans Peter Kuhn | Daisuke Ishida)
14:45 pm Break
15:30 pm Eunice Fong (Supervisors : Daisuke Ishida | Gary Schultz)
16:45 pm Catarina Trigo (Supervisors : Daisuke Ishida | Christiane Hommelsheim + Anna Weissenfels online)
18:00 pm Jonathan Bruns (Supervisors : Volker Straebel online | Daisuke Ishida)
Georg-Neumann-Saal
UdK Berlin
Einsteinufer 43
10587 Berlin-Charlottenburg