Events   /  die Reihe

Salomé Voegelin, Brandon LaBelle, and Alex Arteaga

Aurality and Environment

4 November 2016 | dialogue 

Pho­tos © Kathrin Scheidt

Aural­i­ty and Envi­ron­ment :
a dia­log with Salomé Voegelin, Bran­don LaBelle and Alex Arteaga 

 

4 Novem­ber 2016 | 7 pm 


Hybrid Lab

Vil­la Bell

March­straße 8

10587 Berlin


FASE and die Rei­he event.

 

Aural­i­ty and Envi­ron­ment — A dia­log with Salome Voegelin, Bran­don LaBelle and Alex Arteaga 

 

How do aural­i­ty and envi­ron­ment relate to one anoth­er ? What are the pos­si­ble inter­con­nec­tions between our aur­al prac­tices, our audi­to­ry being-in-the-world and these worlds-around, these Um-wel­ten ? This event address­es man­i­fest and poten­tial cor­re­spon­dences between vari­eties of hear­ing, lis­ten­ing, sound orga­ni­za­tion and son­ic inter­ven­tions and the emer­gence of milieus from the per­spec­tives devel­oped by the artist-researchers Salomé Voegelin and Bran­don LaBelle in dia­log with Alex Arteaga.

An event by FASE and die Rei­he. Sup­port­ed by Min­is­te­rio de Edu­cación, Cul­tura y Deporte de España, Botschaft von Spanien, The Swiss Arts Coun­cil Pro Hel­ve­tia, D‑Noise Comu­ni­cación. In coöper­a­tion with Insti­tu­to Cer­vantes Berlín.

Salomé Voegelin is an artist and writer engaged in lis­ten­ing as a socio-polit­i­cal prac­tice of sound. She is the author of Lis­ten­ing to Noise and Silence : Towards a Phi­los­o­phy of Sound Art, Con­tin­uüm and Son­ic Pos­si­ble Worlds : Hear­ing the Con­tin­uüm of Sound. Voegelin’s sound arts prac­tice involves com­po­si­tions pro­duced by her­self and in col­lab­o­ra­tion with David Mollin. While her solo work focus­es on the small and slight, unseen per­for­mances and moments that almost fail to hap­pen, her col­lab­o­ra­tive work has a more con­cep­tu­al basis, estab­lish­ing through words and sounds con­ver­sa­tions and recon­fig­u­ra­tions of rela­tion­ships and real­i­ties. She is a Read­er in Sound Arts at Lon­don Col­lege of Com­mu­ni­ca­tion, UAL. 

Bran­don LaBelle is an artist, writer and the­o­rist work­ing with ques­tions of social life and cul­tur­al agency, using sound, per­for­mance, text and sit­ed con­struc­tions. He devel­ops and presents artis­tic projects and per­for­mances with­in a range of inter­na­tion­al con­texts, often work­ing in pub­lic. This leads to inter­ven­tions and per­for­ma­tive instal­la­tions, archival work, and micro-actions aimed at the sphere of the (un)common and the unlike­ly. He is also an active lec­tur­er work­ing with insti­tu­tions around the world address­ing ques­tions of audi­to­ry cul­ture, son­ic and spa­tial arts, exper­i­men­tal media prac­tices and the voice. Cur­rent research projects focus on voic­ing and chore­o­gra­phies of the mouth, son­ic mate­ri­al­i­ty and audi­to­ry knowl­edge, and the aes­thet­ics and pol­i­tics of invis­i­bil­i­ty. He is Pro­fes­sor at the Bergen Acad­e­my of Art and Design, Norway.

Alex Arteaga’s research inte­grates aes­thet­ic and philo­soph­i­cal prac­tices relat­ing to the emer­gence of sense, mean­ing and knowl­edge, aes­thet­ics and the rela­tion­ships between aural­i­ty, archi­tec­ture and the envi­ron­ment through phe­nom­e­no­log­i­cal and enac­tivist approach­es. He heads the Audi­to­ry Archi­tec­ture Research Unit and the area of Audi­to­ry Archi­tec­ture in the mas­ter pro­gram Sound Stud­ies at the Berlin Uni­ver­si­ty of the Arts.

Pho­to © Kathrin Scheidt

Pho­to © Kathrin Scheidt

Pho­to © Kathrin Scheidt

Deutsche Oper : Sounds For A While 2015, Pho­to ©Susanne Baron

An event by FASE and die Rei­he. Sup­port­ed by Min­is­te­rio de Edu­cación, Cul­tura y Deporte de España, Botschaft von Spanien, The Swiss Arts Coun­cil Pro Hel­ve­tia, D‑Noise Comu­ni­cación. In coöper­a­tion with Insti­tu­to Cer­vantes Berlín.

Salomé Voegelin is an artist and writer engaged in lis­ten­ing as a socio-polit­i­cal prac­tice of sound. She is the author of Lis­ten­ing to Noise and Silence : Towards a Phi­los­o­phy of Sound Art, Con­tin­uüm and Son­ic Pos­si­ble Worlds : Hear­ing the Con­tin­uüm of Sound. Voegelin’s sound arts prac­tice involves com­po­si­tions pro­duced by her­self and in col­lab­o­ra­tion with David Mollin. While her solo work focus­es on the small and slight, unseen per­for­mances and moments that almost fail to hap­pen, her col­lab­o­ra­tive work has a more con­cep­tu­al basis, estab­lish­ing through words and sounds con­ver­sa­tions and recon­fig­u­ra­tions of rela­tion­ships and real­i­ties. She is a Read­er in Sound Arts at Lon­don Col­lege of Com­mu­ni­ca­tion, UAL. 

Bran­don LaBelle is an artist, writer and the­o­rist work­ing with ques­tions of social life and cul­tur­al agency, using sound, per­for­mance, text and sit­ed con­struc­tions. He devel­ops and presents artis­tic projects and per­for­mances with­in a range of inter­na­tion­al con­texts, often work­ing in pub­lic. This leads to inter­ven­tions and per­for­ma­tive instal­la­tions, archival work, and micro-actions aimed at the sphere of the (un)common and the unlike­ly. He is also an active lec­tur­er work­ing with insti­tu­tions around the world address­ing ques­tions of audi­to­ry cul­ture, son­ic and spa­tial arts, exper­i­men­tal media prac­tices and the voice. Cur­rent research projects focus on voic­ing and chore­o­gra­phies of the mouth, son­ic mate­ri­al­i­ty and audi­to­ry knowl­edge, and the aes­thet­ics and pol­i­tics of invis­i­bil­i­ty. He is Pro­fes­sor at the Bergen Acad­e­my of Art and Design, Norway.

Alex Arteaga’s research inte­grates aes­thet­ic and philo­soph­i­cal prac­tices relat­ing to the emer­gence of sense, mean­ing and knowl­edge, aes­thet­ics and the rela­tion­ships between aural­i­ty, archi­tec­ture and the envi­ron­ment through phe­nom­e­no­log­i­cal and enac­tivist approach­es. He heads the Audi­to­ry Archi­tec­ture Research Unit and the area of Audi­to­ry Archi­tec­ture in the mas­ter pro­gram Sound Stud­ies at the Berlin Uni­ver­si­ty of the Arts.

die Reihe.

Beiträge zu auditiver Kunst und Kultur 

die Rei­he. Con­tri­bu­tions to audi­to­ry art and cul­ture is an event series of the Master’s pro­gram Sound Stud­ies and Son­ic Arts at the Berlin Career Col­lege at Berlin Uni­ver­si­ty of the Arts the Audio Com­mu­ni­ca­tion Group at Tech­ni­cal Uni­ver­si­ty Berlin. A colab­o­ra­tion between the Elec­tron­ic Music Stu­dio, the DAAD Artists-in-Berlin Pro­gram and the Master’s pro­gram Sound Stud­ies and Son­ic Arts at UdK.

 

www.ak.tu-berlin.de/reihe | www.udk-berlin.de/sound