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		<title>SoundS Master Defense 20</title>
		<link>https://archive.sounds.berlin/2020/2020/sounds-master-20/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 29 Oct 2020 07:11:00 +0000</pubDate>
				<category><![CDATA[2020]]></category>
		<category><![CDATA[Master]]></category>
		<category><![CDATA[SoundS]]></category>
		<category><![CDATA[Student Works]]></category>
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					<description><![CDATA[Student Works&#160; /&#160; Master Master Defense 2020 public exam 29–30 October 2020 &#124; online and live Design © Kathrin Scheidt Georg-Neumann-SaalUdK BerlinEinsteinufer 4310587 Berlin-Charlottenburg &#160; The first class of the Sound Studies and Sonic Arts Masters program, redesigned in 2017, publicly defended their master’s theses on 29 and 30 October 2020 at the Georg-Neumann Hall [&#8230;]]]></description>
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									<p><a href="/student-works">Student Works</a>&nbsp; /&nbsp; Master</p>								</div>
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					<h1 class="elementor-heading-title elementor-size-default">Master Defense 2020</h1>				</div>
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					<h1 class="elementor-heading-title elementor-size-default">public exam</h1>				</div>
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					<h1 class="elementor-heading-title elementor-size-small">29–30 October 2020 | online and live</h1>				</div>
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								<div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="1 of 1"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://archive.sounds.berlin/wp-content/uploads/2022/03/SoundSMaster2020-fbevent-01-e1668451447642.png" alt="SoundSMaster2020-fbevent-01"></figure></div>			</div>
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									<p class="p1">Design © Kathrin Scheidt</p>								</div>
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									<p><strong>Georg-Neumann-Saal</strong><br>UdK Berlin<br>Einsteinufer 43<br>10587 Berlin-Charlottenburg</p><p>&nbsp;</p><p>The first class of the Sound Studies and Sonic Arts Masters program, redesigned in 2017, publicly defended their master’s theses on 29 and 30 October 2020 at the Georg-Neumann Hall of the UdK Berlin.</p>								</div>
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									<p>12–1 pm&nbsp; &nbsp; <strong>Nicolas</strong> <strong>Daleman</strong>&nbsp; &nbsp; Schröder/Koch</p><p>Machine Listening in Theory and Practice<br>Sonification</p><p>&nbsp;</p><p>1:15–2:15 pm&nbsp; &nbsp; <strong>Kassiani</strong> <strong>Goulakou</strong>&nbsp; &nbsp; Kuhn/Schulz<br>Post-Digital Archive as Compositional Material:A Study on Medical Archives and Internal Body Sounds<br>Socio-political readings of sound in the pre-phonographic era. The work of Mark M. Smith on 19th century America</p><p>&nbsp;</p><p>2:45–3:45 pm&nbsp; &nbsp; <strong>Konstantin Kazhev</strong>&nbsp; &nbsp; Kuhn/Poznańska<br>Language as a Sound Object</p><p>Soundwalk and Temporal Aspects of the Artist Practice</p><p>&nbsp;</p><p>4–5 pm&nbsp; &nbsp; <strong>Izabel Carnio Teles de Menezes</strong>&nbsp; &nbsp; Kuhn/Eriksen<br>Graphic Notation in multiple interpretations<br>Amazon´s male white bellbird call and it´s implications within animal acoustic communication</p>								</div>
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															<img decoding="async" width="1024" height="1024" src="https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875-1024x1024.png" class="attachment-large size-large wp-image-5087" alt srcset="https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875-1024x1024.png 1024w, https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875-300x300.png 300w, https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875-150x150.png 150w, https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875-768x768.png 768w, https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875-600x600.png 600w, https://archive.sounds.berlin/wp-content/uploads/2020/10/SoundSMaster2020-Flyer-squareDAYS-05-e1668451399875.png 1044w" sizes="(max-width: 1024px) 100vw, 1024px">															</div>
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									<p>12–1 pm&nbsp; &nbsp; <strong>Nina Guo&nbsp; &nbsp; </strong>Zyla/Straebel<br>Jennifer Walshe´s ‘Nature Data’: Realization, Embodiment, and the New Discipline<br>Sound as Punchline</p><p>&nbsp;</p><p>1:15–2:15 pm&nbsp; &nbsp; <strong>David Rimsky-Korsakow&nbsp; &nbsp; </strong>Sanio/Straebel<br>Klangliche Aspekte in Hermann Nitsches <em>orgien mysterien<br></em>Obsolete Media: zeitgenössiche Kompositionsstrategien theater</p><p>&nbsp;</p><p>2:45–3:45 pm&nbsp; &nbsp; <strong>Auguste Vickunaite</strong>&nbsp; &nbsp; Kuhn/Sanio<br>Slow tempo, solitude and boredom in art and performative thinkingand sound as an instrument for navigating attention in performance<br>Nonstandard sound design decisions in cinema</p><p>&nbsp;</p><p>4–5 pm&nbsp; &nbsp; <strong>Alejandro Mosso&nbsp; &nbsp; </strong>Ishida/Kuhn</p><p>Compositional strategies with light and sound in installation art<br>Intrumentality as a condition for liveness in music performance</p>								</div>
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		<title>die Reihe. Chris Chafe HUB MODE</title>
		<link>https://archive.sounds.berlin/events/die-reihe/2020/chris-chafe/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 05 Feb 2020 18:30:00 +0000</pubDate>
				<category><![CDATA[2020]]></category>
		<category><![CDATA[die Reihe]]></category>
		<category><![CDATA[concert]]></category>
		<guid isPermaLink="false">https://archive.sounds.berlin/?p=331</guid>

					<description><![CDATA[Events&#160; &#160;/&#160; die Reihe Chris Chafe HUB MODE concert and performance Photos © Kathrin Scheidt 5.2.2020 &#124; 19:30 &#124; Doors 18:30 &#160; Silent GreenGerichtstraße 3513347 Berlin &#160; An evening focusing on networks and network technologies in a musical context with works by Chris Chafe, currently Edgard-Varèse guest professor at the TU Berlin, Jonathan Berger, Daniel [&#8230;]]]></description>
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									<p><a href="/events">Events</a>&nbsp; &nbsp;/&nbsp; die Reihe</p>								</div>
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					<h1 class="elementor-heading-title elementor-size-default">Chris Chafe</h1>				</div>
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					<h1 class="elementor-heading-title elementor-size-default">HUB MODE</h1>				</div>
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Reihe 5.2.2020 HUB Mode | Chris Chafe | concert and presenta"></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="15 of 15"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://archive.sounds.berlin/wp-content/uploads/2021/06/dieReihe_ChrisChafe_20200205-57k.jpg" alt="die Reihe 5.2.2020 HUB Mode | Chris Chafe | concert and presenta"></figure></div>			</div>
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									<p class="p1">Photos © Kathrin Scheidt</p>								</div>
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									<p>5.2.2020 | 19:30 | Doors 18:30</p><p>&nbsp;</p><p><a href="https://goo.gl/maps/rGjKFHxMa8gLMwJJ8" target="_blank" rel="noopener">Silent Green</a><br>Gerichtstraße 35<br>13347 Berlin</p><p>&nbsp;</p><p>An evening focusing on networks and network technologies in a musical context with works by Chris Chafe, currently Edgard-Varèse guest professor at the TU Berlin, Jonathan Berger, Daniel Mayer, Alexander Dubovoy, Greg Kappes, students of the Electronic Music Studio and the Electronic Orchestra Charlottenburg (EOC).</p><p>&nbsp;</p><p>This event is supported by the Berliner Künstlerprogramm des DAAD.</p><p>&nbsp;</p><p>FREE ADMISSION</p><p>&nbsp;</p><p><a href="https://www.facebook.com/events/589273121636842/" target="_blank" rel="noopener">fb event</a></p>								</div>
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									<p><strong><em>Tomato Music</em>&nbsp;</strong>(2007–2011),&nbsp;Chris Chafe</p><p><strong><em>Harbour Symphony</em></strong>&nbsp;(2016–20)&nbsp;Chris Chafe</p><p><strong><em>Gnosisong</em></strong>&nbsp;(2015), Chris Chafe with Greg Niemeyer</p><p><strong><em>Eroded Landscapes</em></strong>&nbsp;(2019),&nbsp;Jonathan Berger</p><p><strong><em>Matters #5&nbsp;</em></strong>(2020, UA,&nbsp;premieres)&nbsp;Daniel Mayer</p><p><strong>A work for mobile phones</strong>,&nbsp;Alexander Dubovoy and Greg Kappes</p><p><strong>A novel system for local network performances</strong>, developed at the TU Studio, will be used for improvisations by TU Students, Leonard Nicola&nbsp;Hein (guitar), S. Rose (sax) and Chris Chafe (Celletto) and the&nbsp;<em>Electronic&nbsp;Orchestra Charlottenburg</em>&nbsp;(EOC).</p>								</div>
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									<p><span class="s1"><b>HUB MODE</b> Photo © Kathrin Scheidt</span></p>								</div>
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															<img loading="lazy" decoding="async" width="684" height="1024" src="https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k-684x1024.jpg" class="attachment-large size-large wp-image-3748" alt srcset="https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k-684x1024.jpg 684w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k-200x300.jpg 200w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k.jpg 697w" sizes="(max-width: 684px) 100vw, 684px">															</div>
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									<p class="p1"><span class="s1"><strong>HUB MODE, </strong></span>Photo ©Kathrin Scheidt</p>								</div>
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															<img decoding="async" width="1024" height="684" src="https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-37k-1024x684.jpg" class="attachment-large size-large wp-image-3749" alt srcset="https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-37k-1024x684.jpg 1024w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-37k-300x200.jpg 300w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-37k-768x513.jpg 768w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-37k.jpg 1044w" sizes="(max-width: 1024px) 100vw, 1024px">															</div>
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									<p><span class="s1"><b>HUB MODE</b>&nbsp;Photo © Kathrin Scheidt</span></p>								</div>
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															<img loading="lazy" decoding="async" width="684" height="1024" src="https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k-684x1024.jpg" class="attachment-large size-large wp-image-3748" alt srcset="https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k-684x1024.jpg 684w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k-200x300.jpg 200w, https://archive.sounds.berlin/wp-content/uploads/2020/02/dieReihe_ChrisChafe_20200205-29k.jpg 697w" sizes="(max-width: 684px) 100vw, 684px">															</div>
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									<p class="p1"><span class="s1"><b>HUB MODE</b>&nbsp;Photo © Kathrin Scheidt</span></p>								</div>
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									<p><strong><em>Tomato Music</em>&nbsp;</strong>(2007–2011),&nbsp;Chris Chafe</p><p><strong><em>Harbour Symphony</em></strong>&nbsp;(2016–20)&nbsp;Chris Chafe</p><p><strong><em>Gnosisong</em></strong>&nbsp;(2015), Chris Chafe with Greg Niemeyer</p><p><strong><em>Eroded Landscapes</em></strong>&nbsp;(2019),&nbsp;Jonathan Berger</p><p><strong><em>Matters #5&nbsp;</em></strong>(2020, UA,&nbsp;premieres)&nbsp;Daniel Mayer</p><p><strong>A work for mobile phones</strong>,&nbsp;Alexander Dubovoy and Greg Kappes</p><p><strong>A novel system for local network performances</strong>, developed at the TU Studio, will be used for improvisations by TU Students, Leonard Nicola&nbsp;Hein (guitar), S. Rose (sax) and Chris Chafe (Celletto) and the&nbsp;<em>Electronic&nbsp;Orchestra Charlottenburg</em>&nbsp;(EOC).</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">die Reihe.</h2>				</div>
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									<p>die Reihe. Contributions to auditory art and culture is an event series of the Master’s program Sound Studies and Sonic Arts at the Berlin Career College at Berlin University of&nbsp;the Arts&nbsp;the Audio Communication Group at Technical University Berlin.&nbsp;A colaboration between the Electronic Music Studio, the&nbsp;<span style="background-color: #f1ff00;"><a href="https://www.facebook.com/berlinerkuenstlerprogramm/" target="_blank" rel="noopener">DAAD Artists-in-Berlin Program</a></span>&nbsp;and the Master’s program Sound Studies and Sonic Arts at UdK.</p><p>&nbsp;</p><p><span style="background-color: #f1ff00;"><a href="http://www.ak.tu-berlin.de/reihe" target="_blank" rel="noopener">www.ak.tu-berlin.de/reihe</a></span>&nbsp;|&nbsp;<span style="background-color: #f1ff00;"><a href="https://www.udk-berlin.de/?id=7384" target="_blank" rel="noopener">www.udk-berlin.de/sound</a></span></p>								</div>
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		<title>Navigating Berlin. Perspectives On Cartography</title>
		<link>https://archive.sounds.berlin/2020/2019/navigating-berlin-perspectives-on-cartography/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 30 Nov 2019 14:38:27 +0000</pubDate>
				<category><![CDATA[2019]]></category>
		<category><![CDATA[2020]]></category>
		<category><![CDATA[Project Phase]]></category>
		<category><![CDATA[Student Works]]></category>
		<category><![CDATA[exhibition]]></category>
		<guid isPermaLink="false">https://archive.sounds.berlin/?p=4900</guid>

					<description><![CDATA[Student Works&#160; /&#160; Project Phase Navigating Berlin. Perspectives On Cartography public exhibition 30 Nov 2019 — 4 Jan 2020 Graphics © CLB Berlin Opening:&#160;30.11.19, 19.00 Uhr.Opening times:&#160;03.12.19 — 04.01.2020, Tue&#160;— Sat 13.30 to 18.30 Uhr. &#160; CLB BerlinAufbau Haus am MoritzplatzBerlin10969 Deutschland https://www.clb-berlin.de We are pleased to invite you to a group exhibition&#160;Navigating Berlin. Perspectives [&#8230;]]]></description>
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									<p><a href="/student-works">Student Works</a>&nbsp; /&nbsp; Project Phase</p>								</div>
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					<h1 class="elementor-heading-title elementor-size-default">Navigating Berlin. Perspectives On Cartography</h1>				</div>
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					<h1 class="elementor-heading-title elementor-size-default">public exhibition</h1>				</div>
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					<h1 class="elementor-heading-title elementor-size-small">30 Nov 2019 — 4 Jan 2020</h1>				</div>
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															<img loading="lazy" decoding="async" width="800" height="600" src="https://archive.sounds.berlin/wp-content/uploads/2019/11/Navigating-Invite-600x800-1.jpg" class="attachment-1536x1536 size-1536x1536 wp-image-5488" alt srcset="https://archive.sounds.berlin/wp-content/uploads/2019/11/Navigating-Invite-600x800-1.jpg 800w, https://archive.sounds.berlin/wp-content/uploads/2019/11/Navigating-Invite-600x800-1-300x225.jpg 300w, https://archive.sounds.berlin/wp-content/uploads/2019/11/Navigating-Invite-600x800-1-768x576.jpg 768w" sizes="(max-width: 800px) 100vw, 800px">															</div>
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									<p class="p1">Graphics © CLB Berlin</p>								</div>
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									<p>Opening:&nbsp;30.11.19, 19.00 Uhr.<br>Opening times:&nbsp;03.12.19 — 04.01.2020, Tue&nbsp;— Sat 13.30 to 18.30 Uhr.</p><p>&nbsp;</p><p>CLB Berlin<br>Aufbau Haus am Moritzplatz<br>Berlin<br>10969 Deutschland</p><p><a class="external-link" href="https://www.clb-berlin.de/en/events/navigating-berlin-i-snapshots-transitions/" target="_blank" rel="noopener noreferrer">https://www.clb-berlin.de</a></p>								</div>
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									<div id="c97732" class="detail-section type-text"><div id="c97734" class="detail-section type-text"><p>We are pleased to invite you to a group exhibition&nbsp;<strong>Navigating Berlin. Perspectives on Cartography&nbsp;</strong>presented by&nbsp;CLB Berlin.</p><p>&nbsp;</p><p>The&nbsp;3‑part exhibition series, curated by&nbsp;Lisa Gordon at CLB Berlin, examines the city through its cartographic representation, focusing on the maps’ historical narratives, aesthetic depictions and the socio-political dimensions they illustrate or even influence. On show&nbsp;will be a never before publicly shown private collection of historical maps and plans of the city Berlin, which reach from the 18th century to the present.&nbsp;In each chapter of this trilogy, the focus lays on a different aspect of the cartographic presentation, so that the view of Berlin changes again and again. In addition, contemporary artists present new works, with which they pick up on individual topics of the exhibition and create a present-day dialogue with the archive.</p><p>&nbsp;</p><p>The series will start&nbsp;with&nbsp;<strong>Snapshots &amp; Transitions</strong>&nbsp;presenting&nbsp;works by Olaf Kühnemann and the artist collective DISSS by Daisuke Ishida, faculty member at SoundS, featuring works by students Jonathan Bruns, Nico Daleman, Yun-Chu Liang, Oskar J. Mayböck, Enric Myskovskaya, Samuel Perea-Díaz and Francis Sosta.</p><p>&nbsp;</p></div></div>								</div>
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